“Persuaded by Röckel’s arguments, he became increasingly radicalized, connecting his idealistic views of the position of art in society with Röckel’s vision of a world where the power of capital was annihilated, and class, position and family prejudices would disappear. In the new order, Röckel assured him, everybody would participate in labor according to their strength and capacity, work would cease to be a burden and would eventually assume a purely artistic character.”
Site Overview
Introduction
Structure
Vassilis Lambropoulos
C. P. Cavafy Professor Emeritus of Classical Studies and Comparative Literature
vlambrop@umich.eduFollow Blog via Email
- Follow The Tragedy of Revolution on WordPress.com
Parallel blog of further reflections on solidarity and collaborative culture:
https://poetrypiano.wordpress.com In The News
Maximillian Alvarez: “Lessons from Wisconsin’s 2011 worker uprising”
Omar Zahzah : “A New Generation of Palestinian Organizers Has Arisen From the Ashes of the Oslo Accords”
“Nicaragua Descends Into Autocratic Rule as Ortega Crushes Dissent”
‘What Have We Done With Democracy?’ A Decade On, Arab Spring Gains Wither
Recent Blog Posts
“The Root of Haiti’s Misery: Reparations to Enslavers” (ΝΥ Times)
Rodrigo Karmy Bolton: “The Anarchy of Beginnings: Notes on the Rhythmicity of Revolt”
Onur Isci: Book Review: “Nationalism, Secessionism, and Autonomy” by André Lecours (2021)
Franck Gaudichaud, Massimo Modonesi, Jeffery R. Webber: “The Impasse of the Latin American Left”