“Over 100 paintings, sculptures, photographs, and archival sources trace the rise of a vibrant modern art movement from India’s colonial period through its independence.”
Posted in Arts, fine arts, revolution
Tagged India
“Be it graffiti on the apartheid wall in Palestine or the peace walls in Northern Ireland, people make visual art to tell stories everywhere, especially in times of entrenched violence and systemic oppression.”
“In Hong Kong, the ongoing protest movement immortalizes its political action in real time through art. … Art and politics are uniquely linked in the city, reinforcing the youth-driven struggle against human rights abuses.”
“The exhibition Revolutionary Generation: French Drawings (1770-1815) from the Fabre Museum illustrates how, as the Rococo movement went out of fashion, France’s insurrectionist artists drew on ancient Greek and Roman art for inspiration.”
Posted in fine arts, revolution
Tagged Classicism, David, French Revolution
“August 21, 1968 at the Czech Center New York features 20 images of dynamic photo-reportage capturing the first day of the Soviet Invasion of Czechoslovakia.”
“Songs for Sabotage, the fourth installment of the New Museum triennial, brings together politically astute works by 30 artists and collectives from 19 countries.”
Posted in fine arts, In The News, resistance
The exhibition “juxtaposes works of Soviet graphic art—primarily posters from the 1920s and 1930s—with works on video and film.”
Posted in fine arts, In The News, revolution
Tagged Russian Revolution
‘Colloquial references to the events of ’67 as either a “rebellion” or an “uprising” are common in Detroit … but the Charles H. Wright Museum appears to be the first institution to officially adopt that nomenclature as a matter of policy, and this seems right in step with their commemorative exhibition, organized by Erin Falker, Say It Loud: Art, History, Rebellion.’
“The story of Detroit’s July 1967 riots is, in some ways, a tale of two cities, one black and one white. Now, 50 years later, three neighboring museums here are revisiting that fateful summer with exhibitions that portray and explore the riots in sharply different ways.”
Posted in fine arts, In The News, revolt
“The near-mythical pétroleuse was one of the principal figures to emerge from the short-lived, yet radical Paris Commune (1871). The pétroleuse represented those women accused of setting devastating fires that gutted government and cultural institutions during the Semaine Sanglant (The Bloody Week). … Damaging ideologies coalesced around the pétroleuse and as such, a study of these symbols of female destruction reveals the fears and tensions that surrounded French women’s political power and agency by way of the proletariat’s civil war and revolution.”
Posted in defeat, fine arts, gender, Nota Bene, revolution, violence
Tagged Paris Commune
