“Persuaded by Röckel’s arguments, he became increasingly radicalized, connecting his idealistic views of the position of art in society with Röckel’s vision of a world where the power of capital was annihilated, and class, position and family prejudices would disappear. In the new order, Röckel assured him, everybody would participate in labor according to their strength and capacity, work would cease to be a burden and would eventually assume a purely artistic character.”